Short Plays
Blood Ties -- Edmonia Lewis (c.1845-1911—first woman of African-American heritage
to earn an international reputation as a visual artist) is in her studio in Boston
(1863) where she is working on a bust of John Brown and trying to convince her
patron, the white abolitionist Lydia Maria Child (1802-1880), that moving to
Rome in order to focus on her art would not be deserting the abolitionist cause.
Single set, 2w (one Caucasian, one African-American), 10 min.
In Her Name Festival, A Festival of New Plays, April 16, 2016, at the 13th Street Repertory Company, New York, NY; Publication, 'She Persisted: Thirty Ten-Minute Plays by Women over Forty,' Applause Books 2021; Going to the River, Ensemble Studio Theatre, NYC; A Place At the Table, The Workshop Theatre, NYC, produced by Yvette Heyliger in conjunction with League of Professional Theatre Women 30th Anniversary; 365Women New York, The Sheen Center, Greenwich Village, NY, April 2015. Press Release on 365Women-NYC.
Related: See "Wildfires" in full length plays.
to earn an international reputation as a visual artist) is in her studio in Boston
(1863) where she is working on a bust of John Brown and trying to convince her
patron, the white abolitionist Lydia Maria Child (1802-1880), that moving to
Rome in order to focus on her art would not be deserting the abolitionist cause.
Single set, 2w (one Caucasian, one African-American), 10 min.
In Her Name Festival, A Festival of New Plays, April 16, 2016, at the 13th Street Repertory Company, New York, NY; Publication, 'She Persisted: Thirty Ten-Minute Plays by Women over Forty,' Applause Books 2021; Going to the River, Ensemble Studio Theatre, NYC; A Place At the Table, The Workshop Theatre, NYC, produced by Yvette Heyliger in conjunction with League of Professional Theatre Women 30th Anniversary; 365Women New York, The Sheen Center, Greenwich Village, NY, April 2015. Press Release on 365Women-NYC.
Related: See "Wildfires" in full length plays.